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Podcasts at a Glance
Episode 126 - Live at IHS 2011
Episode 125 - Summer Camps
Episode 124 - First Horns
Episode 123 - Cool Cases
Episode 122 - Gordon Higginbottom
Episode 121 - Dream Horns
Episode 120 - How Much Practice?
Episode 119 - Top 5 for 2010
Episode 118 - Oil!
Episode 117 - Back to School
Episode 116 - French Horns on YouTube
Episode 115 - 2010 IHS Symposium
Episode 114 - Patterson Shoot-Out
Episode 113 - French Horn Nation Live
Episode 112 - Alto Horn Advocate
Episode 111 - Double Descants
Episode 110 - Ascending Horn
Episode 109 - High Notes
Episode 108 - Mouthpiece Recommendations
Episode 107 - Beyond Farkas
Episode 106 - Embouchure Tools
Episode 105 - Vienna Horns
Episode 104 - James Peterson
Episode 103 - N.A.M.M. 2010
Episode 102 - Mike McCool
Episode 101 - Top 5 for 2009
Episode 100 - Secrets
Episode 99 - Coping with the Tenor Horn
Episode 98 - Horn Hacks
Episode 97 - Listener Questions 5
Episode 96 - Patterson Leadpipe
Episode 95 - Humboldt Workshop
Episode 94 - Mouthpiece Wheel of Doom
Episode 93 - Single Horns
Episode 92 - Horn Matters
Episode 91 - Marching w/ French Horns
Episode 90 - DCI 2009
Episode 89 - French Horn Nation 2009
Episode 88 - 2009 IHS Symposium
Episode 87 - Tenor Horns on YouTube
Episode 86 - Listener Questions 4
Episode 85 - Gino Cipriani
Episode 84 - Complete Guide to Brass
Episode 83 - Mellos on YouTube 3
Episode 82 - ID'ing Old Horns
Episode 81 - History Revisited
Episode 80 - Quick Horn Changes
Episode 79 - Limited Practice Time
Episode 78 - John Meehan
Episode 77 - History of the Mellophone
Episode 76 - Getting It Back
Episode 75 - N.A.M.M. 2009
Episode 74 - Must-Have CD's
Episode 73 - Nirschl and Monette
Episode 72 - Pimp My Horn
Episode 71 - Top 5 for 2008
Episode 70 - Fingerings
Episode 69 - 4 Christmas Clips
Episode 68 - Gifts '08
Episode 67 - What We're Playing Now
Episode 66 - St. Paul's Brass Quintet
Episode 65 - CN's Tenor Horn Adventure
Episode 64 - Bonnie Ott Thompson
Episode 63 - Improv for Dummies
Episode 62 - All-American College Band
Episode 61 - Mellos on Facebook
Episode 60 - See the Girls Dance
Episode 59 - Marching French Horns
Episode 58 - Piston/Rotor Horns
Episode 57 - Bb Marching Horns
Episode 56 - Getting Back In Shape
Episode 55 - Vibrato
Episode 54 - Listener Questions 3
Episode 53 - Blazing Technique
Episode 52 - Range
Episode 51 -
Tonguing & Articulation
Episode 50 - Flexibility
Episode 49 - Drum Corps Minis
Episode 48 - Holly Marino
Episode 47 - Chris Nalls
Episode 46 - The Brass Gym
Episode 45 - Carmel Kenton Project
Episode 44 - First Year Anniversary
Episode 43 - 3 Listening Assignments
Episode 42 - Music Librarian Karen Smith
Episode 41 - Kevin Gamin
Episode 40 - Intonation
Episode 39 - Jupiter Quantum 5050
Episode 38 - Churches and Pits
Episode 37 - Karl Hammond
Episode 36 - Griffin Gunter
Episode 35 - A Mello Catechism
Episode 34 - Mellos on YouTube 2
Episode 33 - Listener Questions 2
Episode 32 - Top 5 for 2007
Episode 31 - Corps Auditions
Episode 30 - Gifts
Episode 29 - Kelly Smith
Episode 28 - From the 50 Yard Line
Episode 27 - Coping as a Trumpet Player
Episode 26 - Summer With Teal
Episode 25 - What's In Your Case?
Episode 24 - G Mellos
Episode 23 - Mello for Woodwinds
Episode 22 - Listener Questions 1
Episode 21 - Mini Corps 2007
Episode 20 - Mutes
Episode 19 - The IYM Mouthpiece
Episode 18 - J.D. Shaw
Episode 17 - DCI Finals 2007 Recap
Episode 16 - Descants & Triple Horns
Episode 15 - Coping as a French Hornist
Episode 14 - Music in Motion
Episode 13 - Buying Mellos on eBay
Episode 12 - Mellos on the Web
Episode 11 - Warm-Ups
Episode 10 - The Great Mouthpiece Debate
Episode 9 - Yamaha Mellophones
Episode 8 - New Horns at WW&BW
Episode 7 - Mark Taylor
Episode 6 - The Mellophonium
Episode 5 - Mellos on YouTube
Episode 4 - Paula Hyman
Episode 3 -
French Horns & Tenor Horns
Episode 2 - Our Horns
Episode 1 -
Introductions
NOW AVAILABLE!
Buy John's Book!

A Mello Catechism: A Guide to the World of Mellophones and Marching Horns.
A slightly irreverent but highly practical tome on all things
Mellophone. Includes information on Mellophone history, mouthpiece choices, tone quality, intonation, coping with marching, and much more. 30 pages.
Available
from
Horn Notes
Edition
|
Episode 80: Quick Horn/Mouthpiece Changes
Main Feed
Hosts:
Al Perkins,
Chris Nalls,
Dr. John Q. Ericson
-
One day you're playing French Horn, the next you're playing Mellophone, and the
next you're playing Tenor Horn. How do you maintain all three horns and
mouthpieces?
-
A French Horn mouthpiece has a rim diameter of about 17.25mm. A Tenor Horn
mouthpiece is about 19mm. A Mello 6 might be around 16mm.
-
Focus your practice on the instrument that is in the middle of it all -- not too
big and not too small (or not too high and not too low). Warm-up and
practice technique on your main instrument. Have your "home base"
instrument - your place of comfort.
-
Long tones are your friend. They will help you adjust your tone to the
mouthpiece.
-
Mentally prepare yourself for the instrument you are about to play.
Visualize success.
-
If you play more Mellophone or Tenor Horn than French Horn, there ARE
large-rimmed mouthpieces for the French Horn, such as the
Denis Wick 4 and the
Laskey 85G
(18.5mm).
-
New developments in Mellophone mouthpieces make them more comforting to French
Horn players. The Hammond and the IYM were designed specifically for the
French Horn player.
-
Take the time to warm up on the instrument you're about to play before playing
it.
Running Time: 25:05
Episode 79: Limited Practice Time
Main Feed
Hosts:
Al Perkins,
Chris Nalls,
Dr. John Q. Ericson
-
First off, Al mentioned the Make Music NY Outdoor Music Festival on June 21.
He and Mark are going to try to put together a Mellophone ensemble.
Interested? Let us know!
-
Next, John gave a recap of his trip to the South East Horn Workshop.
-
On to the topic. Many of us have very limited time daily to practice.
What are some techniques to use that time wisely?
-
20 to 30 minutes 5 days a week is better than a marathon session.
-
Don't try to do everything each session. Break it down to one thing per
session. Organize -- think ahead to the entire week. Be efficient
and focus.
-
Use etudes. Good etude books include
Maxime Alphonse,
Gallay and Kling.
Also, don't forget Kopprasch, Arban and Clarke.
-
Take time to do at least one etude at each practice session, and really work it.
Running Time: 32:12
Episode 78: Interview with John Meehan,
Brass Caption Head for the Concord Blue Devils
Main Feed
Hosts:
Al Perkins,
Chris Nalls,
John Meehan
-
John Meehan is the head horn instructor for the
Concord Blue Devils.
-
John's father Jack Meehan is in the Drum Corps Hall of Fame.
-
John is the Brass Caption Head for the Blue Devils A corps, and writes the music
for the B and C corps.
-
John grew up with Drum Corps. He marched in Blue Devils C corps in 1980,
81 and 82; then the B corps in 83, 84 and 85; then the A corps in 86, 87, 88 and
89. He started teaching in 1990. He aged out in 1992 and started
teaching with is father for the Santa Clara Vanguard. After taking some
time off, he joined the Blue Devils staff in 1994. From 94 to 2006 he was
the Mellophone Tech.
-
2006 was John's first year as Brass Caption Head, where he does much less
teaching.
-
Blue Devils now march 76 horns, which includes 16 Mellophones, which can split
up to four ways.
-
In 1994 there were 4 Mellophones and 10 Flugelhorns. By 1997 it was all
Mellophones.
-
Mellophone is tricky to teach because the players come from different places -
either a trumpet player or French Horn player, or sometimes neither.
-
John is working with System Blue to develop a new line of mouthpieces. The
Mellophone mouthpiece has a V-cup, but has bulk similar to the IYM. They
should be in use by summer. System Blue will eventually cover other
products.
-
He now does a lot of composing.
-
John's father developed an instrument with Ziggy Kanstul in the mid-80's that
they call the
Meehaphone. It was to have darker than a Mellophone, but more stable
than a French Horn. It was sort of a field Descant Horn. They say it
was used from 87 to 91. It had great projection and intonation except for
the extreme high and low ranges.
- Listening Assignment:
"Goodbye Yesterday" from the Blue Devils' 1988 show.
- The 88 show is one of Wayne Downey's best use of the
mid-voice.
- The mid-voice is provided by the Meehaphone!
Running Time: 36:19
Episode 77: The History of the Mellophone with Greg Monks
Main Feed
Hosts:
Al Perkins,
Chris Nalls,
Mark Taylor,
Greg Monks
-
Okay note-readers, I'll be honest -- this is possibly the most
information-packed episode we've ever recorded. Show notes will do it no
justice. I'll try to hit some of the highlights, but it's going to be a
stretch.
-
We go way, WAY back to the Bronze Age!
-
One of the Mellophone's oldest ancestor is the French Post Horn, which was
conical. The original Koenig horn, not the later one that looks just like
a Mellophone, was a cornet with the bell pointing down.
-
There is an alleged connection between the Mellophone and the Ballad Horn, which
was patented by Henry Distin. Ballad Horns were identical to Post Horns.
-
The original Mellophone WAS a Ballad Horn in a different key and with a larger
bell. The larger bell was so the sound would stand out from other
instruments of it's kind. It has nothing to do with looking like a French
Horn.
-
In the 1880's, Mellophones came from two different areas. In France,
Cerveny (which Greg knows how to pronounce correctly!!) produced the Althorn (or
Circular Alto). Ligner produced the Althorn as an easier alternative to
the French Horn (unless you're Al, at which point it's a BETTER alternative to
the French Horn!). France, at the time, was not playing Military Band
music, but Orchestral music.
-
Meanwhile, in the Czech Republic where Amati and Leidl and other companies come
from, came the traditional Mellophone we know, which they sold to the United
States market. The predominant purchasers were African American musicians
for Ragtime and early Jazz.
-
So, a recap: the Althorn was marketed for Classical playing while the Mellophone
was marketed for Ragtime and Jazz.
-
Even though the horn is conical, it becomes cylindrical with the valve casing.
The original Koenig horn and the Althorn, it remains cylindrical.
-
Mellophones started to phase out buy the First World War. By the 1930's
they started to fall out of favor in Jazz bands. The modern Stage Band
moved to the forefront.
-
The Bellfront horn, or Mellophonium, was a copy of the Marching French Horn,
which dates around 1950.
- Listening Assignment:
"Memphis Blues" by Lieut. Jim Reese Europe's 369th U.S. Infantry
"Hell Fighters" Band, from their CD "The
Complete Recordings."
- Europe's band not only used Mellophones, but they
carried the countermelodies.
- His band also fought in the war.
- Europe (the man) introduced Jazz to Europe (the
place).
- He was killed by his drummer.
Running Time: 49:16
Episode 76: Getting It Back
Main Feed
Hosts:
Al Perkins,
Dr. John Q. Ericson,
Chris Nalls,
Mark Taylor
-
It's happened to all of us -- everything is going along fine, and then one day
you can't play to save your life. How do you get it back?
-
A few years ago, Mark's embouchure caved in and he couldn't play at all.
He worked with John McNeil, who is one of the co-authors of
Flexus.
-
He recently found in a beginning trumpet book was a way to try to make forming
an embouchure as simple as possible (say the letter "M," firm up the corners and
blow). It's important to break it down into something simple, not to
over-think it.
-
Long tones are critical. The more you can eliminate, the more you can
focus on what needs to be fixed.
-
Al likes to get out a metronome and play the simplest etudes he can find.
-
These problems can compound when they chip away at your
confidence.
If your chops feel bad, it's doubly bad as it will impact your confidence as
well.
-
When things go bad, don't push it. Slow it down. Do simple warm-ups.
Avoid those etudes for a couple of days.
-
It's also good to take time off. Let your chops recover. Avoid
dystonia. It's best to
mix heavy days with light days.
-
We all have bad days. Of course, one well-placed bad day can ruin your
month.
-
Prepare for your peak. If you have a performance coming up, be sure you
peak when the performance comes. Grated, that's hard to do if you perform
nightly.
-
When things go bad, Mark tends to change his mouthpiece, which does not work.
Find a mouthpiece and stick with it. Don't confuse your chops by switching
up too much. (But if you find something that's better, go with it.)
-
As for Fat Fingers (when the fingers just stop working right), do the same as an
embouchure problem -- slow it down and build it back up. Al uses
chromatics, but they have to be clean and steady.
- Listening Assignment:
"Riserva" by the
Mnozil Brass,
from their CD "What
Are You Doing For The Rest Of Your Life."
- These guys are not only phenomenal players, but
outrageously entertaining.
- There are videos of them all over YouTube. John
has linked to their version of
Bohemian Rhapsody,
which you have to watch often.
- Though they don't use a Mellophone, one of their
trombone players often plays a Bass Trumpet, which you can hear clearly
on this clip.
- Their lead trumpet,
Thomas Gansch, is one of the most effortless players you'll ever
see (and downright funny).
Running Time: 29:05
Episode 75: N.A.M.M.
Main Feed
Hosts:
Al Perkins,
Dr. John Q. Ericson,
Chris Nalls,
Mark Taylor
-
N.A.M.M. is the National Association of Music
Merchants. They put on a trade show in January in Anaheim, CA. Chris
took the opportunity to check out some Middle Brasses.
-
His first stop was Kanstul, who now has a new Tenor Horn, which is more of a
student model.
-
Next was Jupiter, and Chris tried the new 5050, which is still weak, but as the
Blue Devils helped develop the Dynasty horns, he's hoping that Phantom will do
the same with Jupiter. He also tried the "mystery mouthpiece."
-
Next was King, which was on the same level as the Kanstul and the Jupiter.
-
Mark came in late and brought up the
Phatterboy Eb Flugel, which was commissioned from
Taylor Trumpets by Pip Eastop.
-
Meanwhile Monette has come up with a G
horn, called the
Sattva, which is more of a trumpet with an extended lower register.
-
According to Chris, only the Yamaha comes closest to being a "pro" model
Mellophone.
-
Chris also tried out the Hans Hoyer French Horns.
-
He tried the new Besson 950 Tenor Horn, which has very slight improvements.
- Listening Assignment 1:
"Malaguena," arranged by Mark Freeh from the out-of-print CD
"Freeh-Way" by the Rigid Containers Band.
- Mark Freeh is considered one of the best Brass Band
arrangers in the United States. He's also a great bass trombone
player.
- The Tenor Horn part on this is nuts!
- It's a great version that's not inspired by the
Kenton arrangement.
- Listening Assignment 2 :
"Malaguena," by the Xavier Cugat band.
And
of course there's this.
Running Time: 39:50
Episode 74: Must-Have CD's
Main Feed
Hosts:
Al Perkins,
Dr. John Q. Ericson,
Chris Nalls,
Mark Taylor
- In order to be a good musician, you have to listen to good music.
Every good Mellophonist has their favorite CD's that they go to for inspiration
and motivation. Here's our list of our top 3, as well as the lists of
other listeners.
-
Mark's picks:
- Chris's picks:
- John's picks:
- Scooter's picks:
-
Adventures in Time - Stan Kenton
-
Spanish Spoken Here - Johnny Richards (Scooter didn't really list this one, but
I'm sure he wanted to. It's available, btw, as part of
Mosaic Select.)
- Al's picks:
- Sean Conley's picks:
- Al Antaran's picks:
-
Kenton's West Side Story
-
DCI 1991 - Star of Indiana
- Thomas Daly's picks:
- Jason Dickert's picks:
- Chris Finelli's picks:
-
John mentioned that
The London Horn Sound just came out with a new CD called
Give it One. We expect it'll become a favorite quickly.
- Listening Assignment: "Bohemian Rhapsody"
performed by The London Horn Sound.
- The group started as a trombone project, that was so successful that
they did one with horns.
- This arrangement uses horns, Wagner Tubas and a
rhythm section.
Running Time: 32:41
Episode 73: Nirschl and Monette
Main Feed
Hosts:
Al Perkins,
Dr. John Q. Ericson,
Chris Nalls,
Scooter Pirtle,
Mark Taylor
-
At a recent NABBA festival, Scooter found
the W. Nirschl E-102 Marching
F Mellophone.
-
As far as being a contender, this is not one of them.
You can read Scooter's full review here. He ranks it only slightly
better than the
Conn 16-E.
Al says the Reynolds Mellophonium is even worse.
-
The horn has a notably small bell. As a result, the tone is less "mellow."
-
Price-wise they're inexpensive, but they're very flawed.
-
The mouthpiece is a 6DV. It's like a Mello 6 with an opened throat.
-
Meanwhile Monette has come up with a G
horn, called the
Sattva, which is more of a trumpet with an extended lower register.
-
The horn was designed for Ron Miles. There are interviews with Ron on
the website.
-
The horn has a 6" bell to compliment the increased length of the instrument and
to get a broad, fat sound, but not so big that the sound spreads at higher
volumes.
-
Both Mark and Scooter have asked Monette about building a Mellophone. So
far there are no plans for them to design one.
-
Mark has heard that Monette is thinking of designing a horn longer than the
Sattva, but no word about what key it will be in.
- Listening Assignment:
"The Flash" from Sandstorm Brass's only CD "Flash" by Carlo Mora, arranged by Sandy Smith.
- We mentioned this in our Top 5 episode.
- Sandstorm Brass was short-lived, but Sandy Smith is a
Legend of the Tenor Horn. He's played for many of the top Brass
Bands in England.
- Chris is impressed with their cleanliness..
- This is a Must-Have CD.
- You can find British Brass Quintet music on
Just Music.
Running Time: 22:06
Episode 72: Pimp My Horn
Main Feed
Hosts:
Al Perkins,
Dr. John Q. Ericson,
Chris Nalls,
Scooter Pirtle,
Mark Taylor
-
Scooter is back to talk about horn modifications, specifically those used by the
2008 Star United Mellophone Section.
-
Sean Conley is the section leader of Star United and the King of Horn Mods.
There are only so many things you can do to improve playability as they are
flawed instruments to begin with.
-
The section had 3 Yamaha 204's and one King 1121, which underwent most of the
modifications. These included opening up the lead pipe and
custom valve
alignments. This can help the tone quality through the ranges -- not so
much for intonation. Additionally, some bracing was changed, which impacts
the way the horn vibrates.
-
There is an area inside the receiver between where the mouthpiece sits and the
beginning of the lead pipe. That can sometimes be adjusted, which will
impact the sound.
-
Everyone used CCaps.
They are heavyweight caps added to the bottom of the valves that add mass to the
instrument.
The Middle Horn Leader has a list of all the variations in which they can be
used.
-
In addition to the CCaps, they are also used with rubber spacers and washers to
give variations. Each valve can be adjusted separately.
-
Sam Range has posted
his recipe for using the CCaps. Scooter uses it and loves it. It can
help the horn slot better when slurring.
-
Sometimes horn modifications have a placebo effect, which isn't a bad thing as
it forces you to analyze how your instrument plays. John says any physical
change will change the way the horn plays in some way.
-
Al and John agree that on French Horn, the note to change to the Bb side is G#
in the staff, and F below the staff. Would a conductor be able to tell?
-
Mouthpieces also qualify as a modification, especially since some manufacturers
(like Curry and Hammond) make higher mass mouthpieces.
-
O-rings on valve slides can also assist with intonation, especially if your
mouthpiece makes your horn play sharp.
-
An Adjustable Gap Receiver will also change the way your horn plays.
-
Mobile braces will also change your playability. It takes some
experimentation, of course.
-
There are also water key mods, such as the Amado or the
Saturn Key. Be
careful because they can malfunction.
-
Al had an E-flat slide for his Yamaha 203. It definitely makes the horn
sound fatter.
-
Since corps don't keep their horns beyond a year, there are fewer modifications
done.
-
By the way, David Welch passed away
earlier this week. Visit his website at
38lemon.com.
- Listening Assignment:
"Circus Maximus" by the 1991 Star of Indiana, arranged by
Jim Prime.
- Star veterans don't look back at this show with
reverence.
- No mods were made to any of the instruments (they
were 2-valve King K-50's, by the way), yet they were all able to play in
tune.
- Their rehearsal schedule that year was very intense.
- The opening statement was originally going to be
herald trumpets, but they decided against it.
- This was the only championship Star won.
-
Jim Prime is a master of making parts fit the instrument.
You'd never know everyone is playing 2-valved horns.
Running Time: 45:27
Episode 71: Top 5 for 2008
Main Feed
Hosts:
Al Perkins,
Dr. John Q. Ericson,
Chris Nalls
- Everyone loves making lists at the end of the year, and we're no different.
So, here's our list of the top 5 events and advancements in the middle brass
world for
2008.
-
Honorable Mention:
-
The antics of Mello Phi
Fellow at Southern University. DON'T TRY THIS AT HOME!
-
Mnozil Brass put out a new
CD and DVD. No
Mellophones or Tenor Horns here, but they are totally outrageous!
- And now the top 5 for 2007:
- #5 - The Jupiter Quantum. It would be higher on the list if it were a
better horn. Maybe now that Phantom is going to use them Jupiter will
improve on them.
- #4 - St. Paul's Brass Quintet. Okay, they've been
around longer than this year, but we discovered them this year!
- John asks about ensembles that use Tenor Horn. All brought up
Sandstorm Brass, headed by Sandy Smith. They put out
one CD and vanished.
- There are other British Brass quintets out there, as well as some
quartets.
- You can also find some unique groups, such as the
Make Believe Brass Quintet and the
American Brass Quintet Brass Band.
- #3 - Bonnie Ott Thompson Joins the Renegades. Go to the
Renegade's website for a video of their
latest Open House.
- #2 - The
Besson Prestige Tenor Horn. They say it's a superb horn. There
are lots of strings about this on
Al's Tenor Horn
Forum.
- #1 - 2008 Star United's Mellophone Section (featuring Scooter
Pirtle). Wow. These folks were nothing short of amazing.
-
What to expect in 2009:
- Renegades MiniCorps WILL be back!
- Maybe some Mellophone recordings?
- Listening Assignment: "Rocky Point Holiday"
performed by the 2008 Star United MiniCorps.
- Chris says that they all "tricked-out" their horns with CCaps and the
like. We want to know the mods they did!
Running Time: 22:30
Episode 70: Fingerings
Main Feed
Hosts:
Al Perkins,
Dr. John Q. Ericson,
Chris Nalls
-
It's not uncommon for Mellophone players to come from or go to French Horn.
With the use of triple horns, single Bb horns and marching Bb horns, keeping
track of fingerings can pose a number of challenges.
-
Al feels that playing the same music from horn to horn can cause confusion due
to motor memory. Alternate fingerings also can get into the mix.
-
There's an aspect of "starting over" each time you sit down. The more you
play a specific piece on a specific horn, the less of a problem you'll have.
-
Once you shift your gears the logic of the fingering pattern will work. Al
used to play Strauss and Mozart on the Mellophone to aid in adjusting his
thinking.
-
Too bad Mark's not here!
-
The problem is not so prevalent with Tenor Horn. The first brain glitch is
seeing the note and it coming out a step off due to it being in Eb. Also,
alternate fingerings are more important to stay in tune with others.
-
It is critical to know all of your alternate fingerings.
-
Bb horn gets confusing in the lower-middle register.
-
Al and John agree that on French Horn, the note to change to the Bb side is G#
in the staff, and F below the staff. Would a conductor be able to tell?
-
Chris uses the
Gripmaster Via to aid in fingerings.
-
One of the best tools to help with fingerings are chromatics. The Arban
book is a good source for exercises.
-
Watch your fingers. Get a
Duck's Foot.
There are also
Hornlsings or the
Clebsch strap.
- Listening Assignment:
"Shine" by the Lino Paturno Blue Four, featuring
Michael Supnick on Mellophone.
- This was found on
YouTube.
It's not an interesting video.
- We played a clip with Michael Supnick back on Episode
5. The video associated is gone, but you can still
see it here.
- Supnick plays cornet, but he's an awesome
Mellophonist. We love him!!
Running Time: 30:01
Episode 69: 4 Christmas Listening Assignments
Main Feed
Host:
Al Perkins
- Schedules are wacky this time of year, so we're presenting 4 Christmas Listening Assignments.
- Listening Assignment 1:
"Angels We Have Heard On High" by the
Velvet Knights from CD "Ornaments in
Brass."
- DCI released a CD of Christmas music back in the
early '90's.
- They also posted some of these cuts on the
DCI website a year or two ago.
- Listening Assignment 3:
"Once in Royal David's City" performed by
St. Paul's Brass Quintet.
- This was arranged by Mellophonist Rich Sterner.
- This arrangement highlights Rich and the tone of the
Mellophone.
- This clip can be motivational ... or discouraging!
- Listening Assignment 4: "Jingle
Bells" performed by Al Perkins from "Studies on Christmas Carols" by
Arthur Frackenpohl.
- The solos in the book are unaccompanied.
- Al designed the arrangement, which was done by
Heather Arzberger.
- It was recorded live just last week!
-
You can see a video of one of the performances here!
- The book is seemingly not available for Horn any
more. Bummer.
Running Time: 13:25
Episode 68:
Gifts for the Discriminating Mellophonist '08
Main Feed
Hosts:
Al Perkins,
Dr. John Q. Ericson,
Chris Nalls,
Mark Taylor
Go back and listen to episode 30, or more so, share this
episode and Episode 30 with your loved ones!
Running Time: 23:23
Episode 67:
What We're Playing Now
Main Feed
Hosts:
Al Perkins,
Dr. John Q. Ericson,
Chris Nalls,
Mark Taylor
- Frequently we veer from the path of what we usually play, and
lately we're all taking up new and different instruments.
-
Chris has 3 horns going on right now. First, he's playing Solo Tenor Horn
with the Silicon Valley Brass Band. He also plays on a regular French Horn
with the Ohlone Wind Orchestra (playing the same horn and mouthpiece he's played
on for 30 years.) The third is the Yamaha 204 with the Renegades Mini
Corps, as well as the Kanstul G horn (though the Renegades are moving to Bb/F
instruments this year).
-
John was playing a triple horn for a while, but lately he's been playing a
single Bb horn. He LOVES the response on it! He's also working with
the Wagner Tuba.
-
Mark is still with the Yamaha 203. He tries out different mouthpieces but
keeps coming back to the IYM. He's
also started playing trumpet. He was using the Curry 1HTF on it, but it
gave him no range (and a tone like a flugel).
-
Al is almost exclusively with the Circular Alto now - currently playing the
Cerveny with the Grand Street
Community Band in Brooklyn. He's also playing Eb Tuba some for his
annual Christmas show.
- Listening Assignment:
"And the Band Played On" by the Silicon Valley Brass Band.
- Chris talked at length about the band and his
experiences back on Episode 65.
Running Time: 20:13
Episode 66: Rich Sterner from St. Paul's
Brass Quintet
Main Feed
Hosts:
Al Perkins,
Chris Nalls,
Rich Sterner
- The St. Paul's Brass Quintet is a semi-professional brass
quintet based out of (and partially sponsored by St. Paul's Evangelical Lutheran Church in Carlisle, Pennsylvania.
-
Though the publicity photos show Rich holding a French Horn, he plays Mellophone
with the quintet.
-
Rich started as a trumpet player and studied music in college. Ultimately
he formed a brass quartet which eventually evolved into a quintet and was picked
up by St. Paul's as a regular group. But being a trumpet player, the
quintet need the horn part covered, so he tried the Mellophone.
-
Up to now he has been playing a Holton traditional Mellophone, which you can
hear on the recordings. He also uses a Bach Mellophone mouthpiece.
-
People don't notice that he's playing the Mellophone, but Rich does educate the
audiences to it.
-
Most of the arrangements are done by the members.
-
They have some CD's available,
though Rich is not happy with the earlier ones.
-
Al feels that the tone of a Mellophone serves a brass quintet better than a
French Horn due to the overtones and harmonics. Chris likes to experiment
with instrumentation
-
Rich has recently purchased Al's Dotzauer Circular Alto. Rich feels it has
changed the timbre of the group (for the better).
-
Arrangement-wise, they lean toward choral pieces and try to maintain that type
of voicing.
- Listening Assignment 1:
"Ain't Got Time to Die" by St. Paul's Brass from the CD "Concert
in the Park."
- This was arranged by Rich.
- This arrangement is based on a choral piece.
- The melody, played by Mellophone, cuts above
everything.
- Listening Assignment 2:
"You Are the New Day."
- This is a rehearsal recording.
- You're never quite sure who has the melody.
Running Time: 27:35
Episode 65:
Chris's Adventures with the Tenor Horn
Main Feed
Hosts:
Al Perkins,
Chris Nalls
- Chris has recently joined the
Silicon Valley Brass Band
playing the Tenor Horn. (Chris also plays with the
Ohlone Wind Orchestra,
who just released a CD entitled
Vaxuosity, featuring soloist Mike Vax.)
- Back in Episode 2
Al made the statement that the Mellophone and the French Horn are very
unrelated, but the Mellophone and the Tenor Horn are VERY related. Chris
has validated Al!
-
One of the biggest challenges for Chris has been getting used to the mouthpiece,
which is significantly larger than any other one he's played on.
-
Playing in E-flat does take a little getting used to. The Tenor Horn's
center is different than other horns.
-
Tenor Horn parts get a lot of moving lines. And playing the Solo part is
just that. There's not also a lot of down time!
-
Chris is currently using Al's Besson Sovereign 950, which
is THE HORN to play.
- Like the Mellophone, It's
easy to find a BAD horn. There are three good horns out there: the
Besson, the
Yamaha and the
York.
-
In the Brass Band, all instruments read in Treble Clef (with the exception of
the Bass Trombone).
-
Besson has recently come out with a new model - the Prestige.
4BarsRest
put it up against the York and the Yamaha. There's a big discussion about
the Besson Prestige on the forums at
Al's Tenor Horn Page.
- Listening Assignment:
"Festival March Celebration" Composed by Leslie Condon.
- This is an extremely representative Brass Band piece.
- Stylistically, Brass Band literature is VERY diverse.
Running Time: 23:02
Episode 64:
Bonnie Ott Thompson
Main Feed
Hosts:
Al Perkins,
Chris Nalls,
Bonnie Ott Thompson
- Al reminds everyone we STILL need photos for the 2009
calendar. Also, be sure to
order your CD's of
this year's DCA Mini Corps presentation. It's an outstanding recording!
- To Quote The Middle Horn Leader:
"Bonnie Thompson (Ott) was one of the first drum corps players to exploit the possibilities of the
Mellophone bugle as a soloist with the Concord Blue Devils in the mid-1970s. Her flawless technique and musical interpretation provided an aspect of expression that made her a pioneer in the drum corps activity."
-
Bonnie started playing at 10 years old. Her brother Jim was playing
soprano for the Stockton Police Drum and Bugle Corps. Bonnie was playing
cornet in Elementary school and brought her into the line. Stockton Police
became The Commodores, where she marched from 1966 to 1973. She then
played for the Blue Devils from 1974 to 1976 where she played a piston/rotor
Mellophone.
-
1976 was an important year for the Blue Devils in many ways.
-
Some of Bonnie's favorites during those years include "Chase the Clouds Away,"
"Legend of the One Eyed Sailor" and "Channel One Suite." Back then corps
would repeat numbers.
-
Bonnie's brother,
Jim Ott, was one of the best teachers and arrangers in the business, writing
for many corps around the country including the Blue Devils and Spirit of
Atlanta.
-
After aging out, Bonnie tried to teach a little, but
eventually stopped playing left Corps, occasionally working with small local
corps.
-
She now plays with the Renegades, and the
Freelancers Alumni.
-
Bonnie feels great about being considered "legendary," being given distinction
for paving the way for women in drum corps.
-
Bonnie is currently working on a project to catalog and present her brother's
charts, either by digitally notating it or scanning.
- Listening Assignment:
"Chase the Clouds
Away" by Chuck Mangione, performed by
the 1976 Concord Blue Devils.
- They performed this number on 1975 as well. The
1976 version features a Mellophone/French Horn duet.
- It was arranged, of course, by Jim Ott.
Running Time: 47:45
Episode 63:
Improv for Dummies
Main Feed
Hosts:
Al Perkins,
Dr. John Q. Ericson,
Chris Nalls,
Mark Taylor
- A good, solid baseline place to start is by playing the
melody. Grab pieces of the melody and embellish them, or give them some
ornamentation.
-
There's always a focus on chord scales. It's not enough to just play them
up and down. Know the most consonant scale to deal with. Then be
able to play it up and down, and in diatonic 4ths and 5ths. This helps
develop "vocabulary."
-
"Vocabulary" is the collection of phrases you like to use to express yourself.
It's information you gather by what you listen to and play. Until you
build your own, copy phrases from others.
-
Don't be afraid to try. Take the opportunity. Just pick up the horn
and play.
-
Chris has provided a lead sheet to try
out.
-
Blues are great for learning how to improvise. Learn
about Blues Scales. Playing blues is
all about making melodic statements.
-
Play a lot. Play with others. If you're uncomfortable playing with
others, find the
Jamey Abersold
Play-Alongs. John recommends
Ken Wiley's Jazz Lounge. Chris likes "Band-In-A-Box."
-
It helps to become proficient at reading trombone parts, trumpet parts and
concert lead sheets.
-
Good recordings to listen to is anything with Don Elliott, as well as Chuck
Mangione, Clark Terry and Julius Watkins.
-
Mark recommends the book
Patterns for Jazz.
- Listening Assignment 1:
"Echano" by Chuck Mangione from the CD "Chase
the Clouds Away."
- Almost every band and corps has done something by
Chuck Mangione.
- Chuck marched in Drum Corps in Rochester!
- Listening Assignment 2:
Improvisation by Chris Komer.
- Everybody knows Chris Komer except AL!
Running Time: 39:43
Episode 62:
Jennifer Bliman, from the 2008 All-American College Band at Disneyland
Main Feed
Hosts:
Al Perkins,
Mark Taylor,
Jennifer Bliman
- Jennifer recently graduated with her Masters from USC as a
Horn major. Up until this experience she had no Mellophone experience.
-
Halftime Magazine not only has an article about the band in their latest issue,
but there's a picture of her on the back cover!
-
She is also a gymnast, which was a definite plus in this case.
-
The band has to dance as they play. Repertoire was mainly Disney songs and
pop songs.
-
The group as 4 trumpets, 4 trombones, 2 mellophones, 2
sousaphones, 2 percussion and 5 saxes..
-
She had auditioned for them in the past. During the
audition they didn't want to hear the Mellophone at all. Also jazz sight
reading.
-
The band performs one sit-down set every day, where she played French Horn
instead of Mellophone.
-
Mark actually did a similar gig in Epcot back in 1983.
-
The rehearsal schedule at first was overwhelming, starting at 9:00 am and going
to 5:00 pm. Playing was first, then choreography. Then they'd
rehearse another hour or two at night.
-
The band performed 5 times a day, 5 days a week. There was also one
sit-down set per day.
-
Auditions are posted online (probably after the first of the year).
-
There are lots of clips on YouTube, including one where
Jennifer does a backflip!
- Listening Assignment:
"A Dream is a Wish" performed by
the 2008 All-American College Band.
- This is one of the few numbers with a brief
Mellophone feature.
- There are LOTS of clips of the band (and Jennifer) on
YouTube; like this
one, and this
one, and this
one. In
this one she does more gymnastics, and
this one she
does a great dance.
Running Time: 25:26
Episode 61:
Mellophones on Facebook
Main Feed
Hosts:
Al Perkins,
Dr. John Q. Ericson,
Chris Nalls,
Mark Taylor
- Social networking is all the rage, and as of today,
Facebook is the Mac Daddy of social
networks. There are plenty of Mello-centric groups on Facebook.
-
We're all on Facebook
-
The most popular Mellophone group is "I Play Mellophone and Therefore I'm
Awesome." The next most popular (with half as many members) is "Mellophone
Players of the World Unite."
-
There's also a group for Tenor Horn players.
-
There IS a group for the MelloCast. Membership is
very low. There's also one for the Middle Horn Leader. John has one
for Horn Articles Online, which has many more members.
-
Groups are good for communicating with entire communities
at once. They also have good forum capabilities. You can also link
pictures.
-
Facebook is also available to so many different devices, like iPhones,
Blackberries, etc.
-
(There is, by the way, a group for French Horn players who hate the Mellophone.)
-
There are also a lot of groups from various sections from schools and corps.
-
Facebook has almost taken over telephone conversation.
-
Al gets frustrated when people thinks he plays the Oboe or Tuba. Mark once
got someone who thought he had an accordion.
-
OMG! The shiny Mellophones are in!
-
This week Chris's challenge is for you to send us your favorite Mellophone
Facebook group. (And join the MelloCast group!)
- Listening Assignment:
"Channel One Suite" performed by FutureCorps.
- "Channel One Suite" is always a crowd pleaser.
- J.D. Shaw did a great arrangement of it for the
Boston Brass Quintet.
- The Renegades used it with music from the Matrix, and
they also used it when they won the Mini Corps competition in 2003.
Running Time: 31:51
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